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Forde Gallery on Waiheke Island.
Anton Forde  standing amongst his sculpture, Te Kotahitanga o Whakamaru. Sculpture on the Gulf Runner Up People's Choice, 2022
Kāmaka, Anton Forde. Bentley Showrooms at The Giltrap Group, Tāmaki Makaurau / Auckland. November 2022.
Anton Forde  standing amongst his sculpture, Te Kotahitanga o Whakamaru. Sculpture on the Gulf Runner Up People's Choice, 2022
Anton Forde  standing amongst his sculpture, Te Kotahitanga o Whakamaru. Sculpture on the Gulf Runner Up People's Choice, 2022
Anton Forde  standing amongst his sculpture, Te Kotahitanga o Whakamaru. Sculpture on the Gulf Runner Up People's Choice, 2022
Forde Gallery on Waiheke Island.

Photography: @thecolourchaser

FORDE GALLERY

Forde Gallery represents artist/sculptor Anton Forde.

Email: info@fordegallery.com

Papare/Protection

“Anton’s carved installation can be read as a ‘call to action’ with regards to the climate crisis that is facing humanity in the modern era,” says Nigel Borell, who is on Sculpture on the Gulf’s selection committee. “The work is agenda-setting as it propositions us all to think and take responsibility for our own footprint that we leave on the land.” 2022.
stuff.co.nz. Nadine Rubin Nathan. 06 Mar 2022

Photography: @thecolourchaser

Ngā manaaki

“On the eve of an exciting new exhibition, Kāmaka, to be held at Bentley’s Great North Rd showroom, Anton shares with Viva the physical, mental and spiritual might behind his works.

“I had just finished my Master of Māori Visual Arts when Covid confined me to our little home on Waiheke. At the time I had become fascinated with anchor stones as one of the first technological breakthroughs for man.

I loved the forms, the connection and the natural beauty of a simple rock with a hole in it.”
Viva, 10 Nov 2022.

Photography: Brick Bay and Tanja Dove

Anton Forde

“Anton’s carved installation can be read as a ‘call to action’ with regards to the climate crisis that is facing humanity in the modern era,” says Nigel Borell, who is on Sculpture on the Gulf’s selection committee. “The work is agenda-setting as it propositions us all to think and take responsibility for our own footprint that we leave on the land.” 2022.
stuff.co.nz. Nadine Rubin Nathan. 06 Mar 2022

Photography: @petereesphotography

Sculpture on the Gulf 2022

“Anton’s carved installation can be read as a ‘call to action’ with regards to the climate crisis that is facing humanity in the modern era,” says Nigel Borell, who is on Sculpture on the Gulf’s selection committee. “The work is agenda-setting as it propositions us all to think and take responsibility for our own footprint that we leave on the land.” 2022.
stuff.co.nz. Nadine Rubin Nathan. 06 Mar 2022

Photography: @petereesphotography

Sculpture on the Gulf 2022

“Anton’s carved installation can be read as a ‘call to action’ with regards to the climate crisis that is facing humanity in the modern era,” says Nigel Borell, who is on Sculpture on the Gulf’s selection committee. “The work is agenda-setting as it propositions us all to think and take responsibility for our own footprint that we leave on the land.” 2022.
stuff.co.nz. Nadine Rubin Nathan. 06 Mar 2022

Photography: @petereesphotography

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Forde Gallery, Waiheke Island, Aotearoa New Zealand, is dedicated to exhibiting and representing works from artist-in-residence Anton Forde.

Keep informed of news and events at Forde Gallery

CURRENT AND UPCOMING exhibitions

Papare eighty.one. PĀTAKA ART + MUSEUM. 22 June – 13 October 2024

Collective action, climate change, and the protection of our natural environments are at the heart of Anton Forde’s installation Papare Eighty.one

81 carved, wooden pou appear as sentinels in the gallery. Created by Anton Forde, each pou—distinguished from each other by only the slightest difference in head shape, inclination, and hard-carved Pounamu taonga—are placed in a kao kao formation. The specific motifs, carved forms, and numerology in the formation are inspired by Taiao / nature. Papare Eighty.one suggests the ongoing need to protect these waters. As individuals—both visitor and pou—gather together in place and in formation, Papare Eighty.one enacts a call to kotahitanga, to collective action, that protects and safeguards the future of our waters for generations to come.

MĀHUTONGA AND te wepu mmxxiii. WAIHEKE COMMUNITY ART GALLERY, 17 MAY TO 30 JUNE 2024

Anton Forde (Taranaki, Gaeltracht, Gaelic, English) exhibits significant works from 2019-2024 alongside a new installation by his teacher and mentor, Prof. Robert Jahnke ONZM FRSNZ Arts Foundation Laureate 2023 (Ngāi Taharoa, Te Whānau a Iritekura, Te Whānau a Rakairoa o Ngāti Porou). 

Anton Forde’s Māhutonga – time stands still presents works in kōhatu/stone, Pounamu, andesite and basalt, carved with markings of Māhutonga/the Southern Cross, Raukura/feathers and Roimata/teardrops.  These works are a recognition of and salute to our natural world, and the hope that humanity brings whilst interacting with her.  One of the artist’s first memories is his father, the engineer on the Milford Road, showing him Māhutonga/ the Southern Cross in the Piopiotahi/Milford Sound night sky, telling him “if ever you are lost, those stars will guide you home.”  Anton Forde says, “These works pay tribute to those whetū/ stars, and those permanently living with the stars, who allow us to find home today.” 

Prof. Robert Jahnke’s Te Wepu MMXXIII references elements of Para Matchitt’s iconic Te Wepu Installation, using layers of triangular and diamond light to frame its signature motifs while creating iterations of pattern into infinity – cloaked by reflections embracing star, moon, mountain, heart and cross, reverberating enlightenment as light emerges out of the darkness.

“PAPARE / PROTECTION”
SCULPTURE BY THE SEA,Cottlesloe 2024

Forde was invited to exhibit Papare/ Protection at https://sculpturebythesea.com/cottesloe/ which celebrated its 20th exhibition from March 1-20 2024. To celebrate the 20th anniversary, over 70 artists from 15 countries were invited to exhibit by Sculpture by the Sea’s National Artistic Advisory Committee. Respected sculptors from WA and across Australia were joined by renowned international artists, with 13 Japanese artists alongside artists from England, New Zealand, USA and Switzerland – representing excellence in sculpture from around the globe.  The Sculpture by the Sea team said of Papare, “Sixty contemporary Māori Pou serve as guardians and protectors, embodying the artist’s vision to bring awareness to caring for the world and how we all have a role to play – to unify and protect land and seas for future generations. For Forde, his profound connection to the land, reverence for nature’s majesty, and fascination with indigenous cultures serve as the primary inspirations for his work. This marks Forde’s debut exhibition at Sculpture by the Sea, Cottesloe.”


“NGĀ MANAAKI”
Brick Bay Sculpture Trail 202
4

Carved over the space of 6 months, Anton Forde’s spectacular Ngā Manaaki is a site-specific installation, inspired by the land and philosophy of Brick Bay.

Composed of a formation of 44 individual contemporary pou with a commanding presence on the hillside, this artwork explores the concept of manaakitanga – a broad and expansive term encompassing the notions of support, care, protection, hospitality, respect and generosity. Perhaps the most profound meaning in the Brick Bay context is the act of caretaking, whether it is for the whenua, for others, or one’s own wellbeing.

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